September 05, 2005 Posted at 08:22 PM Playlists
September 10, 2005 Posted at 09:32 PM Artists
May 25, 2005 Posted at 02:38 PM News
October 13, 2005 Posted at 11:12 PM Releases
October 13, 2005 Posted at 02:07 AM Showcases
Recent Entries In Same Category
July 28, 2006 Posted at 11:50 PM
June 26, 2006 Posted at 12:59 PM
June 21, 2006 Posted at 02:27 PM
April 26, 2006 Posted at 05:07 PM
April 25, 2006 Posted at 10:40 PM
March 27, 2006 Posted at 12:03 AM
March 07, 2006 Posted at 08:33 PM
September 11, 2005 Posted at 12:52 AM News

AM/PM - Also (12")
label . dreck records
release date . october 24, 2005

After AM/PM's critically acclaimed contribution to Süd Electronic's 'AM/PM & Lump EP', distributed and highly rated by Submerge's Mike Banks, Radovan Scasascia returns to his own Dreck Records imprint with this sublime 3-track-EP. The first two AM/PM releases (The Ends I & II) were keeping closely to the concept of constructing music exclusively from ends of existing records. This release here is conceptually looser, but immerses itself deep into the world of AM/PM, where perception continually shifts between warmer and darker atmospheres.


As many sounds still originate from the ends of other records, their diverse instrumentation, key and pitch result in AM/PM's signature micro-tonal disharmonies, reminding us that the world is not just black or white, with us or against us, but all-encompassing, rhyzomatic and constantly in and out of phase.

This newly defined territory is thoroughly explored with the extended ‘No matter whether’, a 12 minute track consisting of two notable parts. The first part establishes an environment of angular, drifting and floating planes – an exploded drawing in slow motion which repeatedly results in chance moments of beauty, warmth and discordance. Holding it all together is a well defined bass and rhythm-track, which forms the basis for a much more earthed second part, concentrating on a deep groove. ‘Tar in between’ is a calmer, more familiar and classic AM/PM piece, while ‘Even as we here’ takes us back to AM/PM's bipolar world of vast space and sumptuous density.

Distributed via Kompakt

» read more at dreck-records.com

Posted by CM at September 11, 2005 12:52 AM
Comments
Posted by Chris at November 18, 2005 03:19 AM

A1 is the perfect example how to build a mood in a minimal track. B2 as well. I am anxiously awaiting my record to arrive from juno. This type of minimal is very refreshing especially when you consider all of the laptop clickiness that seems to permeate the genre.


Post Your Comment




(you may use HTML tags for style)